When I first expressed interest in reading Sarah Waters, many bloggers recommended that I start with Fingersmith. I however ended up picking up and dropping it multiple times before actually getting into the book – so much so that even though I started this book first, I ended up dropping it and reading The Little Stranger and The Night Watch before trying this book again.
There were some reasons why this book was a bit hard for me to get into, but once I got over a certain hump in the story, the book was really enjoyable, and I raced through it.
About Fingersmith
Susan “Sue” Trinder is a fingersmith (British slang for thief) who lives in the slums of London with a baby farmer (a person who looks after unwanted babies), Mrs.Sucksby.
When a conman presents them with a scam that has a payout of 40,000 pounds, Sue signs on to swindle rich Maud Lilly.
Maud is an orphan who lives with her uncle, but what is happening in the Lilly house?
Sue plans to pose as Maud’s maid so Mr. Rivers (the gentleman) can get close to her and eventually marry her.
They plan to put Maud in the madhouse and take the money themselves.
All goes astray, though, when Sue falls in love with Maud.
My Thoughts
Fingersmith was shortlisted for the Orange Prize and the Booker Prize and has been widely acclaimed for good reason.
However, I initially found it a bit hard to get into this book. The book starts with Sue plotting with a crook (ironically named Gentleman) about swindling a rich lady Maud into marriage. The plan is for Sue to work as her lady’s maid, get her trust, and help Gentleman in his courting of Maud.
Of course, things go wrong. Sue develops a conscience, and even more alarming; she develops feelings for Maud. None of this is a big surprise, as we know by now that Waters writes mostly lesbian characters.
The entire first part of the book is the setting up of the story. We see Sue’s life in Victorian London, and then we are transported to a remote country house where Maud lives a very stifling life, working as an unpaid secretary to her uncle.
This part of the story is a little dull. Sue’s not the brightest bulb in the book; Maud is an odd duck. All they do is go for walks around the house and do some sewing. Jeez, women had such an exciting time in Victorian England, right? Not!
Then the first part comes to its conclusion, and with it, we see the first of many plot twists. The second part starts, and it’s now Maud who narrates. Maud, who might not be as good-hearted and naïve as Sue thinks her to be.
A lot of Part 2 deals with Maud looking back at her interactions with Sue (essentially a repetition of Part 1, but from Maud’s eyes). This repetition jarred me a bit and seemed clumsy. But the book took steam once that was out of the way.
I zoomed through the rest of the book one windy, rainy day and thoroughly enjoyed every bit of the rest of the book.
Book reviews have called this book Gothic, Dickensian, and so on, and they are right. The characters and the outrageous plotting are very Dickensian in style. Some scenes in a mental asylum reminded me strongly of Wilkie Collins’ use of asylums in The Woman in White. If you’re a fan of the Gothic, you’ll love Fingersmith as I did. Just have a little patience with the weaker beginning.
Overall this book will go on the list of one of the best books I read this year.
Btw, I heard there is a BBC TV adaptation that’s pretty good and a Korean movie (The Handmaiden). Both have excellent reviews, and I hope to catch at least one of them if available on Netflix.
So, now my third Sarah Waters is done. Which book of hers should I pick up next?
I’ve not read more than 1 novel by her so am not the best person to give a recommendation – The Paying Guests was pretty readable I thought
@disqus_gmoXW9BOB2:disqus I’ve heard good things about The Paying Guests as well. Will look for it.